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The first is selecting them and mixing the colors using the encoder wheels. Moving light consoles typically have a few options for choosing and mixing colors on your fixtures.
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The most basic lighting consoles will simply use faders to mix your colors, and if you want all of your fixtures together, you have to either build a submaster or address them all together on these basic setups.
#Auditorium stage lighting design how to
Here, at the request of a fabulous reader, I want to present to you with how to mix certain colors in each colorspace, and what kinds of colors go together, and the moods that they best fit! Let’s dive in! The Nuts and Bolts of Mixing Colors on Your Lighting Console However, with the way that technology is progressing, LED’s are becoming more advanced and producing better colors than ever before, so this may not be such a problem in the future! How to Mix Colors Still, as a designer, there will still be times where you look at the deep color mixable on your CMY source, sigh, and move on to just mix a color that complements what you are doing with your RGB lights. With CMY, you subtract Magenta and Yellow at full, and you’ll get a deep red- but by that point, it won’t be very bright because you have subtracted so much light to get there!įor this reason, most CMY moving lights have a separate color wheel with colors such as red, congo blue, light pink, orange, CTO, purple, and whatever other colors that particular manufacturer decided was hard to mix on their fixture. With RGB, you just bring up the red color, and it’s a great, bright, rich red. You can match many colors with RGB and CMY sources, but the funky-ness comes when you note the efficiency of such mixing.įor example, let’s mix a deep red. The gel sits in front of a light source and filters out the color from the light, thus subtracting wavelengths of light from the source. The other, although dying, mode of subtractive color mixing is colored gel. Using the colors in CMY mixing when subtracting from white light gets better results than using Red, Green and Blue to subtract, and allows you to mix better deep colors. Many moving lights and conventional color mixing engines feature a white lamp which emits light through a set of 3 color wheels- Cyan, Magenta and Yellow. The additive color theory also works with conventional lights that are gelled, and you can mix colors when pointing 2 lights at the same object from about the same position.Īs a result, additive color mixing is the best way to get really deep colors, as the next method, subtractive color mixing, loses a lot of output when mixing deep colors. LED’s can also include an amber and/or white LED along side of the RGB to give you some more options and flexibility.Īdditive colors work by fading up and down the colored LED’s or lights in order to mix the desired color. The first method of coloring light is the additive theory and method which presents itself primarily in RGB LED lighting. Stage lights have grown and evolved over the years, and today we have 3 main ways to color a light source. “The Rules” – Lighting Color Theory Debunked and Demystified! How to Get Color out of Your Lights If you haven’t used much color before in your lighting setup, here’s a quick guide to using color in your stage lighting. Some transform a room with color as well as lighting the stage. Others use mostly colored light with little white light. Some churches use color sparingly or not at all in their lighting scheme. Pretty much every church has colored walls or carpets. When you step into the church world, you see color used in many different ways.
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Or perhaps you’ve noticed a restaurant or trade show that lights the focal points such as tables or products in white, while most of the ambient light is colored? Have you ever noticed how opposing colors selectively absorb other colors?įor example, when you point a blue light at a red surface, it makes the surface look black! Why doesn’t the surface look blue?
#Auditorium stage lighting design free
Let’s dive into lighting color theory – we’ll learn how we can use it, and then how to break free from the “rules”! Color Theory 101 for Stage Lighting In fact, I believe that color is the very most impactful attribute of lighting that we have to work with. Color is a fascinating attribute that we can use in stage lighting to help show the emotion being set forth by the presenter we are lighting. If you’re not colorblind, you are constantly seeing and observing color. I know this is simplifying it a good bit, but let’s think about just color for a minute. If you open your eyes, and you’re like most people, you see color. What Are the Rules to Using Color in Stage Lighting?